Product photography

I get lots of requests for help from people who run website or small Ebay Internet businesses. They basically want to know what equipment they need to get to do better product photography. There is a lot of competition. The big firms are able to afford to pay the prices asked by the most successful photographers. Smaller outfits try to find ways of conserving capital by doing work for themselves..

What is meant by product photography? Consumer magazines are full of photos ranging from large objects like cars, boats, houses, interior furnishings, electronic gadgets, power tools, gardening equipment, and on a smaller scale, phones, watches, clothes and bottles of perfume. There are many other categories that I've missed form this list. Trying to find one photographer who is a master at photographing all of these categories would be very difficult indeed. Photographers tend to specialise in a narrow range of activities for which they become known.

If you want to investigate whether its feasible to do some of your own photographic work I think its best to spend some time thinking about some very practical problems. Do you have enough space to devote to photographic work? Obviously its hard to generalise here but the man that sold signage for directing drivers around public car parks will need a lot bigger space than a man who sold antique Japanese swords. Space can be an expensive commodity if its underused.

Another type of customer has done some holiday photography and thinks skills can be acquired merely by spending a lot on the proper equipment. Sometimes, this may be true. I have a pen that is better than anything Shakespeare ever had but I still can't write as well. Equipment isn't everything. Throwing money at a problem isn't always going to make the skills of image building that were hard won from long years of study and experience. It is also true that technology can change radically (from analogue to digital) rendering past experience worthless almost overnight. Often salesmen have recommended photographic gear that isn't really suitable at all for the job they want to do with it. On one occasion that equipment was very good the user had changed his product range to such a degree that the soft light of fluorescent tubes wasn't incisive enough for the new products he was photographing. These were simply sheets of rough textured paper. Light tents from Ebay or trade fairs are bought enthusiastially to solve all sorts ofphotographic problems.They work okay for some very small objects though they are far from the answer to all simple photographic lighting problems.

Interior of David Turner's Stokenchurch studio where one -to -one photography courses are run

A better way to proceed would be to strengthen you knowledge base prior to investing a lot of cash in new equipment. Spend a day finding and doing practical work in the studio on one of my photographic courses. You will normally be the only student and can find out exactly what you need to know.

Simple product or still-life groups.

Chardin and Dutch sixteenth and seventeenth century artists did much to create the still life genre. It lives on today in product  photography and, to a lesser extent, in modern painting. Still-life and product photography aren't always so very far apart since both rely on artistry to elevate the commonplace. A jar of jam, my first light meter, or Grandma's vase, are all lifted from the mundane world and have our attention focused on them simple by isolation from their normal background.

The photos in this blog were done with the simplest of means on the kitchen table. Find a clean flexible sheet of any material.This can be any sympathetic colour, or texture, or surface, as long as its crease free. I used a sheet of cartridge drawing paper to create an infinity curve against the kitchen wall. The table is pushed against a wall with about half of the sheet of paper on the table top and the rest curved gently against the wall. Blue tack was used to fasten the paper in place. From the side it looks like a letter 'L' lying on its back.

To the left of the picture another sheet of white paper or card was used as a reflector....you could use a Lastolite or the dull side of kitchen foil stuck to cardboard with double sided sellotape. Foil would give a slightly harder light.

Lighting was as simple as it gets: window light coming through the kitchen door on the right hand side of the picture. Most of the kitchen is painted white so its filled with a soft light everywhere. Its important that you don't have shafts of strong sunlight coming into your picture area. A tripod was used and the mirror locked up in my camera to make sure that there was absolutely no camera shake. Many cameras do not have this facility. If yours doesn't just try not to jolt the camera when pressing the shutter. Thus the lighting was soft but the exposure very sharp.

If a tripod isn't available then increase the ISO number to about 400 or even higher and you should have just enough light to do a hand held shot. Do not let the speed fall below a sixtieth of a second. Remember that a photo that appears sharp when reviewed on the back of your camera will often be out of focus when enlarged to print size.

Almost anything can be used as subject matter, flowers, old tools, car parts, cakes, works of art, old toys, fishing tackle, medals, jewelery, collections of cups and saucers, babies shoes etc. This very simple background and lighting system is excellent for the type of small item sold on eBay that benefits from better presentation for online retailing.